{"id":76,"date":"2019-06-13T10:34:53","date_gmt":"2019-06-13T10:34:53","guid":{"rendered":"http:\/\/delajara.com\/?page_id=76"},"modified":"2024-03-27T11:06:57","modified_gmt":"2024-03-27T11:06:57","slug":"76-2","status":"publish","type":"page","link":"https:\/\/delajara.com\/","title":{"rendered":"Main_English"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”About Me” module_id=”paint_en” _builder_version=”4.0.7″ width=”100%” custom_padding=”||0px|||” global_module=”606″ saved_tabs=”all”][et_pb_row _builder_version=”4.6.3″ custom_margin=”-1px|auto|20px|auto|false|false” custom_padding=”3px|||||”][et_pb_column type=”4_4″ _builder_version=”4.6.3″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”siesta II (Work in progress)” url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/GRM2826-scaled-e1639318807877.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/GRM2826-scaled-e1639318807877.jpg” image_max_width=”70%” content_max_width=”100%” _builder_version=”4.6.3″ text_orientation=”center” custom_margin=”||20px||false|false” child_filter_brightness=”120%” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/GRM2826-scaled-e1639318807877.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
140 x 130 cm
2021<\/strong><\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”es regnet (llueve)” url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/Lueve-scaled-e1639318884822.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/Lueve-scaled-e1639318884822.jpg” image_max_width=”50%” content_max_width=”100%” _builder_version=”4.6.3″ text_orientation=”center” custom_margin=”50px||||false|false” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/Lueve-scaled-e1639318884822.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
110 x 100 cm
Colecci\u00f3n privada
2021<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.3″ custom_margin=”50px||||false|false”][et_pb_column type=”4_4″ _builder_version=”4.6.3″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”all the an’gels come” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/HarkThe-Angels-Come2019_d-3.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/HarkThe-Angels-Come2019_d-3.jpg” content_max_width=”100%” _builder_version=”4.6.3″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/HarkThe-Angels-Come2019_d-3.jpg” link_option_url_new_window=”on”]<\/p>\n

\u00d3leo sobre lienzo
135 x 300 cm
Colecci\u00f3n privada
2019<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”im spiegel” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Im-Spiegel-2019.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Im-Spiegel-2019.jpg” content_max_width=”50%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Im-Spiegel-2019.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Instalaci\u00f3n
\u00d3leo sobre madera,
l\u00e1mpara led, madera, tela,
alambre y perla cultivada,
100 x 65 x 28 cm
2019<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”El rubor” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/EL-RUBOR-2019.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/EL-RUBOR-2019.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/EL-RUBOR-2019.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
120 x 140 cm
Colecci\u00f3n privada<\/strong>
2019<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Neblina” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Neblina.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Neblina.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Neblina.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
90 x 100 cm
Colecci\u00f3n privada<\/strong>
2019<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”2 Uhr Morgens” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Morgens.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Morgens.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Morgens.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
79.5\u00a0 x\u00a0 100 cm
<\/strong>Colecci\u00f3n privada
2015<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Seda” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2015.-SEDA-\u00d3LEO-SOBRE-LINO-65X515cm.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2015.-SEDA-\u00d3LEO-SOBRE-LINO-65X515cm.jpg” content_max_width=”50%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2015.-SEDA-\u00d3LEO-SOBRE-LINO-65X515cm.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
65\u00a0 x\u00a0 51,5 cm
Colecci\u00f3n privada<\/strong>
2015<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset3″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Conversaci\u00f3n en silencio” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Garci1.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Garci1.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Garci1.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Casa Garcilaso, Lima
2012<\/strong>
<\/strong><\/p>\n

\"\"\u00a0\u00a0\u00a0\u00a0 \"\"<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”La piscina” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Piscina.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Piscina.jpg” content_max_width=”90%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Piscina.jpg” link_option_url_new_window=”on”]<\/p>\n

(Tri\u0301ptico) Oleo-lino,
146 x 352 cm
Colecci\u00f3n privada<\/strong>
2011<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||” box_shadow_style=”preset3″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Exposici\u00f3n T\u00fa eres piedra” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Lucia1.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Lucia1.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Lucia1.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Galer\u00eda Luc\u00eda de la Puente, Lima
2011<\/strong><\/p>\n

 <\/p>\n

\"\"\u00a0\u00a0\u00a0\u00a0 \"\"<\/p>\n

<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”El sof\u00e1” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/El-Sof\u00e1-detalle.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/El-Sof\u00e1-2011.jpg” content_max_width=”50%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/El-Sof\u00e1-detalle.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre
madera tallada
130 x 100 cm
<\/strong>Colecci\u00f3n privada
2011<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/OLAS-ORANTES-OLAS-2011-c.jpg” _builder_version=”4.0.7″ width=”78%” max_width=”78%” module_alignment=”center”][\/et_pb_image][et_pb_blurb title=”Olas ardientes olas” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/OLAS-ORANTES.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/OLAS-ORANTES-OLAS-2011-a.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/OLAS-ORANTES.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Instalaci\u00f3n multimedia,
esposici\u00f3n “Conservaci\u00f3n en silencio”
con poemas del Hieromonje Symeon.
Casa Garcilaso, Lima
2011<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”La hora del t\u00e9” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/La-hora-del-t\u00e9-2010-.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/La-hora-del-t\u00e9-2010-.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/La-hora-del-t\u00e9-2010-.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

<\/strong>\u00d3leo sobre lino
130 x 150 cm
Colecci\u00f3n privada
2010<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”La casa del padre” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/LA-CASA-DEL-PADRE-2009-1-1.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/LA-CASA-DEL-PADRE-2009-1-1.jpg” content_max_width=”50%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/LA-CASA-DEL-PADRE-2009-1-1.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
190 x 140 cm.
Colecci\u00f3n Hochschild
(Lima)
2009<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||” box_shadow_style=”preset3″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Galerie Clemensstrasse 9″ url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Munich.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Munich.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Munich.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

de Rosa Ronstedt, Munich
2009<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”PILCO” url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Pilco.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Pilco.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Pilco.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
160×130 cm
Colecci\u00f3n privada
Lima
2008
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Juego de dados” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2008.-W\u00fcrfelspiele-.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2008.-W\u00fcrfelspiele-.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2008.-W\u00fcrfelspiele-.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
130×150 cm
Colecci\u00f3n Volksbank
Alemania
2008
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||” box_shadow_style=”preset3″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Ausflug” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Ausflug.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Ausflug.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Ausflug.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Galer\u00eda Alte Schranne,
N\u00f6rdlingen, Alemania
2012<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Sangre Sab\u00cda” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Sangre-Sabia-scaled.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Sangre-Sabia-scaled.jpg” content_max_width=”75%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Sangre-Sabia-scaled.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Videoinstalaci\u00f3n multimedia
Kunstmuseum, Wemding
2006<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”100px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Billar” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/billar.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/billar.jpg” content_max_width=”90%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/billar.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Fresco en secco
sobre lino
90 x 220 cm
Colecci\u00f3n privada
2006
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”100px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”La puerta II” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/puerta2-1.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/puerta2-1.jpg” content_max_width=”90%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/puerta2-1.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

90 x 210 cm
Colecci\u00f3n particular
Lima
2005
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”100px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”A trav\u00e9s del d\u00eda” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2004.-Throughout-the-day-and-night.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2004.-Throughout-the-day-and-night.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2004.-Throughout-the-day-and-night.jpg” link_option_url_new_window=”on”]<\/p>\n

\u00d3leo sobre tabla, placa
giratoria de acero
90 cm di\u00e1metro
Colecci\u00f3n privada, Munich
2004
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Flug” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Flug-2003-copia.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Flug-2003-copia.jpg” content_max_width=”60%” _builder_version=”4.6.3″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Flug-2003-copia.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre madera
80 x 60 cm
Colecci\u00f3n privada
2003
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”La Giganta (Irina)” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/giganta.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/giganta.jpg” content_max_width=”50%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/giganta.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
120 x 90 cm
<\/strong>Colecci\u00f3n privada
2002
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Cypraea” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Bodeg\u00f3n-2002-.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Bodeg\u00f3n-2002-.jpg” content_max_width=”50%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Bodeg\u00f3n-2002-.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre madera
80 x 60 cm
Colecci\u00f3n privada
Alemania
2002
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”FUN\u00c1MBULO I” url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Seilt\u00e4nzer-I-web-scaled.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Seilt\u00e4nzer-I-web-scaled.jpg” content_max_width=”90%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Seilt\u00e4nzer-I-web-scaled.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre lino
90 x 140 cm
Colecci\u00f3n privada
Pappenheim
2001
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Chacan Pi” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Pi.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Pi.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Pi.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Escultura en m\u00e1rmol Rosso de Verona
4,2 \u00d7 1,7 \u00d7 1,7 m
T\u00fcbingen
2001<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Chacan Pi” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/pi2.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/pi2.jpg” content_max_width=”78%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/pi2.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Detalle interior | inner detail<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”114px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Jard\u00edn cerrado” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/JARD\u00cdN-CERRADO-2000.png” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/JARD\u00cdN-CERRADO-2000.png” content_max_width=”90%” _builder_version=”3.24.1″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/JARD\u00cdN-CERRADO-2000.png” link_option_url_new_window=”on”]<\/p>\n

\u00d3leo sobre lino
montado en tabla
117,5 x 183 cm
Colecci\u00f3n privada
Munich
2000
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”\u00c1ngela ad\u00f3nica” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/\u00c1ngea-ad\u00f3nica-detalle.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Angela-Adonica2-1.jpg” content_max_width=”85%” _builder_version=”4.6.3″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/\u00c1ngea-ad\u00f3nica-detalle.jpg” link_option_url_new_window=”on”]<\/p>\n

\u00d3leo sobre
madera, seda, bronce,
pan de oro
<\/strong>57.5 x 81 cm
Colecci\u00f3n privada
2000<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”CHACAN PI” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/pi3.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/pi3.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/pi3.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Taller Laboratoio Nicoli
Carrara
2000<\/p>\n

Work in progress
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Wunsch und Ged\u00e4chtnis” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Minerva-scaled.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/07\/Wunsch_k.jpg” content_max_width=”75%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Minerva-scaled.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Deseo y Memoria | Desire and Memory<\/p>\n

Granit “Cape Green”
<\/span>Max-Planck-Gesellschaft
<\/span> 1999<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Dos mujeres” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2-MUjERES-1998-copia.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2-MUjERES-1998-copia.jpg” content_max_width=”90%” _builder_version=”4.6.3″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/2-MUjERES-1998-copia.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

\u00d3leo sobre tela
100 x 185 cm
Colecci\u00f3n privada, Miami, USA
1998-1999<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About Me” module_id=”sculpt_en” _builder_version=”3.26.3″ custom_margin=”-1px|||||” global_module=”607″ saved_tabs=”all”][et_pb_row _builder_version=”3.25″ custom_margin=”50px||” custom_padding=”50px||” box_shadow_style=”preset6″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Ni\u00f1o con fuego y agua” url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/07\/Nino.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/07\/Nino.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/07\/Nino.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Bronze, Wasser, Feuer
90 \u00d7 30 \u00d7 30 cm
Auflage 7
1992<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”95px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”El Caf\u00e9” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/El-Caf\u00e92.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/El-Caf\u00e92.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/El-Caf\u00e92.jpg” link_option_url_new_window=”on”]<\/p>\n

\u00d3leo sobre madera
180 x 230 cm
Colecci\u00f3n del Museo de Arte
del Banco Central de Reserva del Per\u00fa
1997<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”28px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”TRAUM I (Sue\u00f1o I)” url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Traum_I.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Traum_I.jpg” content_max_width=”78%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Traum_I.jpg” link_option_url_new_window=”on”]<\/p>\n

T\u00e9chnica mixta sobre lino
175 x 170 cm
Propiedad privada
Munich
1986-88<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”28px|||||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Pol\u00edptico del bar” url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Pol\u00edptico-del-bar.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Pol\u00edptico-del-bar.jpg” content_max_width=”100%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2020\/08\/Pol\u00edptico-del-bar.jpg” link_option_url_new_window=”on”]<\/p>\n

\u00d3leo sobre lino, meddias variables
ca. 170 x 500 cm
Colecci\u00f3n Privada
Abu Dabi
1985-86<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About Me” module_id=”obra_en” _builder_version=”4.0.7″ global_module=”609″ saved_tabs=”all”][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.0.7″]<\/p>\n

P<\/a>RINTS<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Flug” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Flug-2003_2.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Flug-2003_2.jpg” content_max_width=”60%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Flug-2003_2.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

variable size
Original Fineart Glicl\u00e8e Print
<\/strong><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Seilt\u00e4nzer” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/seiltaenzer.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/seiltaenzer.jpg” content_max_width=”75%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/seiltaenzer.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

variable size
Original Fineart Glicl\u00e8e Print<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Onsen” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Onsen-scaled.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Onsen-scaled.jpg” content_max_width=”45%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Onsen-scaled.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

variable size
Original Fineart Glicl\u00e8e Print<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Mujer y mono” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Mujer-y-mono-Schicksal.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Mujer-y-mono-Schicksal.jpg” content_max_width=”75%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/Mujer-y-mono-Schicksal.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

variable size
Original Fineart Glicl\u00e8e Print<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Ausflug” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/AUSFLUG.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/AUSFLUG.jpg” content_max_width=”55%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/AUSFLUG.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

variable size
Original Fineart Glicl\u00e8e Print<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”50px||”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”Das Feuer” url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/gal04-das-feuer.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/gal04-das-feuer.jpg” content_max_width=”75%” _builder_version=”4.0.7″ text_orientation=”center” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/12\/gal04-das-feuer.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″]<\/p>\n

Litographie,
Edici\u00f3n especial de 21 ejemplares
18 x 22 cm<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About Me” module_id=”statement_en” _builder_version=”4.0.7″][et_pb_row _builder_version=”4.0.7″][et_pb_column type=”4_4″ _builder_version=”4.0.7″][et_pb_text _builder_version=”4.0.7″]<\/p>\n

Statement<\/h1>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”statement_de” _builder_version=”4.0.7″ custom_margin=”|auto||auto||” locked=”off”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/delajara.com\/wp-content\/uploads\/2019\/07\/Fernando-DE-LA-JARA.jpg” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”present_en” _builder_version=”4.0.7″ background_size=”initial” width=”30%” custom_margin=”-5px|||||” custom_padding=”||31px” filter_opacity=”83%” box_shadow_style=”preset3″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.3″ custom_margin=”-20px|auto||auto||” locked=”off”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”||||||||” text_font_size=”17px” text_line_height=”1.5em” header_font=”||||||||” text_orientation=”justify” width_tablet=”100%” width_last_edited=”off|desktop” module_alignment=”left” custom_padding=”0px||” text_font_size_tablet=”” text_font_size_phone=”15px” text_font_size_last_edited=”on|desktop” text_line_height_tablet=”” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|desktop” text_text_align=”justify” saved_tabs=”all” inline_fonts=”Trebuchet,Cormorant Garamond,Cormorant Infant”]<\/p>\n

I understand painting and all of the visual arts that I practice, essentially, as a means of making poetry with images. Poetry expressed through form, words, sounds or movement. Poetry also charged with the sensorial, in which beings and objects are caressed by the gaze, are touched, smelt, simply are there. There is mystery, suspense, something is happening in every scene, because scenes are, sometimes, of an instant held fast so as to make it eternal. Not as a fleeting snapshot of the real but an affirmation of the endless continuity of experience. Vermeer\u2019s milkmaid never finishes emptying her pitcher, it flows perpetually and that flow waits for us to understand the wonder of what it is to flow, that flow that tells us: \u201cYou think you\u2019ve grasped it all? Well, no. I am still here, I continue to flow and I continue to fascinate you.\u201d This paradox is what drives my painting.<\/p>\n

As a painter not trained in academia, launching myself into the conquest of the profession meant seeking it out in museums all over the world, in the workshops of the masters of contemporary painting, as well as in research centers for new technologies. I have paid close attention to the currents of contemporary art and still do not subscribe to any particular ism. I think I would paint the same way even if I were born 400 years ago or a hundred from now. My learning process is in every work and in the way that each one discovers itself. And so while in art schools they teach that a landscape should be horizontal and a portrait should be vertical, I, without considering these classical dictates, find myself making vertical and round landscapes, as well as creating what I call \u201cmoral form\u201d works, polyptychs that crop off and fragment, spreading into space like a cinematographic panning out in all directions, always according to their essential need for composition and pictorial experience.<\/p>\n

This is the route that, as long as I can remember, I have taken in creating my work, whether in painting, sculpture or my video installations. Always captivated or amazed by the variety of possibilities that open up in realizing a visual poem with no other resource than the image. That is, to show the pre-verbal essence of everything visible prior to language, prior to the idea or even to thought, that place we are only able to reach with a humble paintbrush. All this is why I take up, amid this secular and mechanized world, the beautiful profession of painting by hand and by memory, allied with the \u201csister clumsiness\u201d that allows us to recognize ourselves as human beings and to never stop yearning.<\/p>\n

Out of this precarious enterprise, stubborn and loving, my paintings, my sculpted stones, even my multidisciplinary installations are born like small miracles. A body of work that, as San Augustine succinctly put it: \u201cIf no one asks me, I know. If I try to explain it, I know not.\u201d And it is fine that way, above all for me and also for anyone else who wants to enjoy it.<\/p>\n

Fernando de la Jara<\/em><\/p>\n

\u00a0<\/span><\/p>\n

<\/span><\/p>\n

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The Painting<\/span><\/h1>\n

of <\/span>FERNANDO DE LA JARA<\/span><\/span><\/h2>\n

Eagerness of wonder.
Delicate sensitivity and exquisite recreation of the sensitive.
A manner of poetry, with forms and colours,
in constant evolution, from the complex to the simple.
A purity of line that mesmerizes and enchants.<\/em><\/span><\/p>\n

Within the western tradition,
expression of an essentially Latin American sensibility,
Peruvian, Lime\u00f1a, with Nordic traces from Europe
and nostalgia for the Mediterranean.<\/em><\/span><\/p>\n

Now and forever
– between the child and the adolescent-
amazement at the mystery of things.<\/em><\/span><\/p>\n

Attention to detail,
meticulously recreated for the pleasure of miracle,
from the visible to the invisible.
Fascination for embroideries and underskirts.
Exaltation of the damsel,
gate to garden of delights illuminated.<\/em><\/span><\/p>\n

Realistic, yet re-creates reality
only as it resonates in his heart
-in this way going through abstraction. Fragile creation,
in this contemporary world where resonance is avoided.
“May nothing resound within our hearts”
seems to be the common message.<\/em><\/span><\/p>\n

Gallant painter, how he feels the wonders life lets him see;
so candid, so seductive!\u2026<\/em><\/span><\/p>\n

Using brushes and colours, mostly in oils,
he paints with love and rhythm; in the last years,
he resorts to Greek wisdom in painting
and learns with Polignoto.
His colour fasting; a banquet of harmony.<\/em><\/span><\/p>\n

There is something there like an unravished promise of spring.<\/em><\/span><\/p>\n

Symeon<\/em><\/strong><\/span>
September 4th 2001<\/em><\/strong><\/span>
Puri, Bali<\/em><\/strong><\/span><\/p>\n

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Heterodoxy and Permanence<\/h1>\n

Fernando de la Jara<\/h1>\n

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Heterodoxy in the art world is often a solitary and rocky road. But without those original artists, determined to travel that road in their own way, the very History of Art would be nothing more than a modulated succession of transitory tendencies. A standard encephalogram, alive but lacking peaks and summits. Giorgio Morandi, Balthus, Edward Hopper, Georgia O\u2019Keefe, Frida Kahlo, De Chirico, Louise Bourgeois, El Bosco, El Greco, all toiled long misunderstood or long undervalued, creating worlds of their own through their art.<\/p>\n

On that unbeaten path we can situate the work and personality of Fernando de la Jara (Lima, 1948).<\/p>\n

\u201cIn today\u2019s world, where two-dimensional painting is the target of reductive readings when compared with other visual media whose images exist in motion, Fernando de la Jara is an exceptional case among creators,\u201d writes the critic and curator Jorge Villacorta. \u201cDe la Jara sees himself above all as a painter, both by calling and conviction. Nevertheless, art for him is not merely his own subjectivity but the world of experimentation and the discovery of vital coordinates. The world that is his own, which he constructs each day putting preconceptions concerning the art of painting to the test, is based in an ethically adopted practice of employing figurative representation to reintroduce the surprise of a gaze that strives to recover and reflect upon the real, and in doing so, to give it new meaning.\u201d<\/p>\n

Another distinguished intellectual and art critic, Mirko Lauer, writes: \u201cFernando de la Jara is an artist who has pursued truth and beauty through strange times and spaces. (\u2026) It is he who has created, among all the figurative painters of our Republic\u2019s history, the most varied, eloquent and hermetic world of representations. The visual impact of his realism is at the service of stories that are always disquieting, always poetic. Viewed as a whole, De la Jara\u2019s work exudes unheimlichkeit, in the sense of estrangement in the face of a world born of wonder. His paintings elicit the spectator\u2019s complicity, but they do so without ever fully revealing their secrets.\u201d<\/p>\n

True heterodoxists are not always easy to recognize. Their transgression and strangeness emanate from a personal calling, not by calculated strategy. It is advisable, then, not to give in to the facile notion of evaluating this artist according to the recalcitrant logic of those who feel nostalgic of realist painting for its own sake. Conservators of essences already withered. The work of Fernando de la Jara is based not only in the appearance of reality but in its meaning, in its depth and mystery. This is why he is inspired, not ingenious. Knowledgeable and studious of the painting profession and, for this very reason, removed from hollow virtuosity. Open to the wellspring of what he calls \u201csister clumsiness,\u201d accepting imperfection when necessary to bolster pictorial precision. Approaching his work requires an unhurried gaze, a spectatorial complicity. It is painting to be seen, to be lived with.<\/p>\n

Perhaps the time has come for painting to come out of the corner, according to Jerry Saltz, veteran \u2013 and heterodox \u2013 art critic for The New Yorker and The Village Voice. In his recent review of the Whitney Museum\u2019s Biennial, he concludes: \u201cThe biggest overall weakness of this Biennial is painting. (\u2026) This is a big missed opportunity that sadly neglects the extraordinary liveliness now afoot in the medium. What is it about curators these days that makes them unsure of or oddly averse to or put off by painting\u2019s much older, more chemical-based psychic alchemies? This academic prejudice needs to end.\u201d<\/p>\n

In one way or another, art is about discovery. And it is increasingly necessary to sharpen one\u2019s gaze and perception to discern between what is original and what is derivative. De la Jara is an artist who can be discovered and revealed time and again in every work.<\/p>\n

Fietta Jarque, Writer<\/p>\n

 <\/p>\n

<\/span><\/p>\n

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Individual Exhibitions<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.3″ width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” custom_padding=”0px||0px|||” locked=”off”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.6.3″ text_font=”||||||||” text_font_size=”20px” text_line_height=”1.4em” header_font=”||||||||” background_position=”top_center” text_orientation=”justify” width_tablet=”100%” width_last_edited=”off|desktop” module_alignment=”left” custom_padding=”0px|||||” text_font_size_tablet=”” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”” text_line_height_phone=”1.7em” text_line_height_last_edited=”on|desktop” text_text_align=”justify” global_module=”1191″ saved_tabs=”all” inline_fonts=”Trebuchet,Cormorant Garamond,Cormorant Infant”]<\/p>\n

<\/strong><\/p>\n

<\/strong><\/p>\n

2021<\/strong>
<\/strong>Museum Stadtm\u00fchle, Pappenheim
<\/em><\/span>2019
<\/strong><\/span> Galer\u00eda Enlace, Lima, Per\u00fa. El deseo y la memoria<\/em>
<\/span>2017<\/strong>
Tage des offenen Ateliers, Oettingen
2015<\/strong>
Galer\u00eda Enlace, Lima. <\/span>Celebraci\u00f3n<\/span><\/em>
2013<\/strong>
<\/span>Galerie Dr. Erdel, Regensburg. Der Magische Moment
<\/em>2012<\/strong>
Salon Clemensstrase 9, M\u00fcnchen
2011<\/strong>
Centro Cultural Inca Garcilaso del Ministerio de Relaciones Exteriores del Per\u00fa.
Conversaci\u00f3n en silencio\u00a0<\/em>(con la poes\u00eda del poeta Per\u00faano-griego Symeon)
2011<\/strong>
Galer\u00eda Luc\u00eda de la Puente, Lima, Per\u00fa. De la Jara \u2013 Poes\u00eda Visual
<\/em>2010<\/strong>
Galer\u00eda de Arte del Cultural Peruano Norteamericano, Arequipa. Pintura Poes\u00eda<\/em>
2010<\/strong>
Alte Schranne, N\u00f6rdlingen. Ausflug <\/em>
2010<\/strong>
Salon Clemensstrasse 9, M\u00fcnchen. Sommerausstellung<\/em>
2009<\/strong>
Galer\u00eda Luc\u00eda de la Puente, Lima. T\u00fa Eres Piedra<\/em>, Sala de proyectos especiales
2009<\/strong>
Salon Clemensstrasse 9, M\u00fcnchen
2008<\/strong>
Galerie Sch\u00fcller, M\u00fcnchen
2007<\/strong>
Consultor\u00eda de Arte Luc\u00eda de la Puente, Lima, Per\u00fa
<\/span>2006<\/strong>
KunstMuseum Donau-Ries, Wemding
2004<\/strong>
Galerie am Neuen Rathaus, Wei\u00dfenburg
2004<\/strong>
Galerie am Eichholz, Murnau
2004<\/strong>
Schloss Windthurn, Windthurn
2003<\/strong>
Kloster Heidenheim, Heidenheim
2003<\/strong>
Stadtmuseum, Bad T\u00f6lz
2003<\/strong>
Stadtmuseum, Gunzenhausen
2002<\/strong>
Museum an der Stadtm\u00fchle, Pappenheim
1999<\/strong>
Consultor\u00eda de Arte Luc\u00eda de la Puente, Lima, Per\u00fa
1997<\/strong>
I. Bienal de Arte de Lima, Per\u00fa.Invitado especial
1995<\/strong>
Galerieim Schloss Bad Pyrmont, Bad Pyrmont\/ Hannover
1992<\/strong>
Galerie Altes Feuerwehrhaus, Kreuztal Galerie ZAK,
Herford Galerie des Kulturamts, Maintal\/Frankfurt
1991<\/strong>
GalerieGlasnost, N\u00fcrnberg
1990<\/strong>
GalerieMicado, Bonn
1989<\/strong>
GaleriaSa Pleta Freda, Mallorca. <\/span>Curada por Miguel Cervera,
Director de la Fundaci\u00f3n Joan Mir\u00f3, Mallorca <\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Spanisches Kulturinstitut, M\u00fcnchen.<\/p>\n

\u00a0<\/span>Der Kanon des Windes.\u00a0<\/em>Haus des Gastes, Eichst\u00e4tt, Alemania
1988<\/strong>
Galerieder Volksbank,Eichst\u00e4tt.
<\/span>1981<\/strong>
Galer\u00eda Yvonne Brice\u00f1o, Lima, Per\u00fa
1977<\/strong>
Galer\u00eda Yvonne Brice\u00f1o, Lima, Per\u00fa<\/span><\/p>\n

INSTALACIONES<\/span><\/p>\n

2011<\/strong>
Videoinstalaci\u00f3n Olas orantes olas<\/em>, Exposici\u00f3n Conversaci\u00f3n en silencio<\/em>.
Centro Cultural Inca Garcilaso, Lima
2006<\/strong>
Videoinstalaci\u00f3n Das Lied des Blutes<\/em>, KunstMuseum\u00a0\u00a0 \u00a0\u00a0Donau-Ries
1997<\/strong>
Videoinstalaci\u00f3n Sangre Sabia<\/em>, I Bienal de Arte de Lima, Lima, Per\u00fa
1992<\/strong>
Bonn, Das Lied des Blutes<\/em>y Die Uhr Videoinstallationen<\/em>.
<\/span>Galerie Glasnost, N\u00fcrnberg
1992<\/strong>
Installation Pachamama.\u00a0 Mutter-Erde<\/em>. Ingoldstadt, N\u00fcrnberg, und K\u00fcnstlerforum
1991<\/strong>
Multimedia-InstallationDer vierte Blick<\/em>. <\/span>Galerie Micado, Sankt Augustin bei Bonn<\/span><\/p>\n

EXPOSICIONES COLECTIVAS<\/span><\/p>\n

2018<\/strong>
Galerie Fondation Taylor, L\u2019art contemporain P\u00e9ruvien
<\/em>2017<\/strong>
Salon Clemensstrase 9, M\u00fcnchen
2017<\/strong>
Galer\u00eda del Caf\u00e9 Literario Rilke, Lima. Comparart 2017<\/em>
2016<\/strong>
Museo de la Naci\u00f3n, Lima
2015<\/strong>
Grand Palais, Paris. <\/span>Comparaisons 2015<\/span><\/em>
2014<\/strong>
Museo de la Naci\u00f3n, Lima. Comparart<\/em>
2014<\/strong>
Grand Palais, Paris. Comparaisons 2014
<\/em><\/span>2010<\/strong>
Galeria Luc\u00eda de la Puente, Lima. 15. Aniversario de la galer\u00eda<\/em>
2007<\/strong>
Galerie Seidelstrasse, Murnau
2006<\/strong>
Galerie Bernd D\u00fcrr, M\u00fcnchen
2005<\/strong>
Galer\u00eda Luc\u00eda de la Puente, Lima, Per\u00fa
2005<\/strong>
Museum an der Stadtm\u00fchle, Pappenheim
2005<\/strong>
Galerie Seidlstrasse, Murnau
2004<\/strong>
Galer\u00eda de la Embajada del Per\u00fa, Washington D.C.
<\/span>2003<\/strong>
Galerie Bernd D\u00fcrr, M\u00fcnchen
2000<\/strong>
Elite Fine Arts, Coral Gables, Florida
2000<\/strong>
Germanisches Nationalmuseum, N\u00fcrnberg
1993<\/strong>
Haus der Kunst,M\u00fcnchen
1992<\/strong>
Galerie des Gasteigs, M\u00fcnchen. Mythen einer Identit\u00e4t
<\/em>Goethe Institut, Frankfurt
Mythen einer Identit\u00e4t\u00a0<\/em>Autoren-Galerie, M\u00fcnchen
Bilder, Briefe, Noten XXIII<\/em>, Galerie Harderbastei, Ingolstadt
K\u00fcnstlerforum,Bonn. <\/span>Pachamama- Mutter Erde<\/span><\/em>
1991<\/strong>
Galerie der Sparkasse, Ingolstadt.Spanisches Kulturinstitut, M\u00fcnchen
1990<\/strong>
Arte Galerie N, M\u00fcnchen. Kontakt
<\/em>Galerie Couleur, Rosenheim. Grenzenlos<\/em>
1989<\/strong>
Haus des Gastes, Eichst\u00e4tt. Art Experiment<\/em>
1988<\/strong>
Schlo\u00df Gr\u00fcnau, Neuburg an der Donau
1984<\/strong>
Galer\u00eda La Molina, Lima, Per\u00fa
1983<\/strong>
Galer\u00eda Trapecio, Lima, Per\u00fa. <\/span>Pintura realista contempor\u00e1nea<\/span><\/em>
1982<\/strong>
Galer\u00eda Trilce, Lima, Per\u00fa
1979<\/strong>
Galer\u00eda La Rama Dorada, Lima, Per\u00fa
1978<\/strong>
Galer\u00eda Banco Continental, Lima. El arte del dibujo
1977<\/strong>
Galer\u00eda YvonneBrice\u00f1o, Lima. J\u00f3venes pintores
<\/em>1976<\/strong>
Galer\u00eda Astrolabio, Lima, El arte de la<\/em>Naturaleza muerta<\/em>
1975<\/strong>
Galer\u00eda Astrolabio, Lima, Per\u00fa. Pintura Moderna peruana<\/em>
1975<\/strong>
XI Bienal de arte, Cuzco<\/span><\/p>\n

OBRA EN ESPACIO P\u00daBLICO<\/span><\/p>\n

2003<\/strong>
Laufendes Kind (Ni\u00f1o caminando<\/em>),
Escultura en bronce y granito, Marktplatz, Bad T\u00f6lz, Alemania
<\/span>2001<\/strong>
\u201a\u041f\u2019 (Chac\u00e1n<\/em>): Esculturaen m\u00e1rmol rojode
Verona (4,20 x 1,70 x 1,70m), T\u00fcbingen, Alemania
<\/span>1999<\/strong>
El Deseo y la Memoria<\/em>. Escultura en granito.
Jardines de la Residencia, entrada al edificio del Instituto Max Plank, Munich
1996<\/strong>
Wandmalerei und Gestaltung der Eingangshalle<\/em>, Grundschule Langenaltheim<\/p>\n

ALGUNAS CUBIERTAS DE LIBROS<\/span><\/p>\n

2004<\/strong>
WitoldGombrowicz, Pornographie<\/em>, Hanser Verlag, Munich
2003<\/strong>
Per Olov Enquist, LewisReise<\/em>, Hanser Verlag, Munich
2002<\/strong>
Ivan Klima, Liebesgespr\u00e4che<\/em>, Paul Zsolnay Verlag, Viena
1979<\/strong>
Guillermo Thorndike, cubiertas de la tetralog\u00eda 1879:
El Viaje de Prado, Vienen los Chilenos<\/em><\/span><\/p>\n

\u00a0<\/span><\/p>\n

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<\/h3>\n

Das lied der frau<\/p>\n

<\/span><\/h4>\n

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<\/h3>\n

CELEBRACI\u00d3N<\/span><\/h4>\n

 <\/p>\n

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<\/h3>\n

ALL THE ANGELS COME<\/span><\/h4>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”contact” _builder_version=”4.0.7″][et_pb_row _builder_version=”4.0.7″][et_pb_column type=”4_4″ _builder_version=”4.0.7″][et_pb_text _builder_version=”4.0.7″]<\/p>\n

Contact<\/h1>\n

info@delajara.com<\/a><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_contact_form email=”info@delajara.com” submit_button_text=”Send” admin_label=”kontakt” _builder_version=”4.6.3″ custom_button=”on” button_text_color=”#e09900″ hover_enabled=”0″ sticky_enabled=”0″][et_pb_contact_field field_id=”Salutation” field_title=”Salutation” max_length=”4″ required_mark=”off” fullwidth_field=”on” _builder_version=”4.0.7″ max_width=”20%”][\/et_pb_contact_field][et_pb_contact_field field_id=”First_name” field_title=”First name” max_length=”20″ required_mark=”off” _builder_version=”4.0.7″ max_width=”50%”][\/et_pb_contact_field][et_pb_contact_field field_id=”Last_name” field_title=”Last name” max_length=”20″ required_mark=”off” _builder_version=”4.0.7″ width=”100%” max_width=”50%” module_alignment=”left”][\/et_pb_contact_field][et_pb_contact_field field_id=”Street” field_title=”Street” max_length=”20″ allowed_symbols=”letters” required_mark=”off” _builder_version=”4.0.7″ max_width=”50%”][\/et_pb_contact_field][et_pb_contact_field field_id=”ZIP_\/_Place” field_title=”ZIP \/ Place” max_length=”25″ allowed_symbols=”alphanumeric” required_mark=”off” _builder_version=”4.0.7″ max_width=”50%”][\/et_pb_contact_field][et_pb_contact_field field_id=”E-Mail” field_title=”E-Mail” field_type=”email” _builder_version=”4.0.7″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_contact_field][et_pb_contact_field field_id=”land” field_title=”Land” max_length=”25″ required_mark=”off” _builder_version=”4.0.7″ max_width=”50%”][\/et_pb_contact_field][et_pb_contact_field field_id=”Phone” field_title=”Phone” fullwidth_field=”on” _builder_version=”4.0.7″][\/et_pb_contact_field][et_pb_contact_field field_id=”Message” field_title=”Message” field_type=”text” fullwidth_field=”on” _builder_version=”4.0.7″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_contact_field][\/et_pb_contact_form][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”About Me” module_id=”paint_en” _builder_version=”4.0.7″ width=”100%” custom_padding=”||0px|||” global_module=”606″ saved_tabs=”all”][et_pb_row _builder_version=”4.6.3″ custom_margin=”-1px|auto|20px|auto|false|false” custom_padding=”3px|||||”][et_pb_column type=”4_4″ _builder_version=”4.6.3″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”siesta II (Work in progress)” url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/GRM2826-scaled-e1639318807877.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/GRM2826-scaled-e1639318807877.jpg” image_max_width=”70%” content_max_width=”100%” _builder_version=”4.6.3″ text_orientation=”center” custom_margin=”||20px||false|false” child_filter_brightness=”120%” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/GRM2826-scaled-e1639318807877.jpg” link_option_url_new_window=”on” box_shadow_style_image=”preset3″] \u00d3leo sobre lino 140 x 130 cm 2021 [\/et_pb_blurb][et_pb_blurb title=”es regnet (llueve)” url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/Lueve-scaled-e1639318884822.jpg” url_new_window=”on” image=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/Lueve-scaled-e1639318884822.jpg” image_max_width=”50%” content_max_width=”100%” _builder_version=”4.6.3″ text_orientation=”center” custom_margin=”50px||||false|false” link_option_url=”https:\/\/delajara.com\/wp-content\/uploads\/2021\/12\/Lueve-scaled-e1639318884822.jpg” […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/delajara.com\/index.php?rest_route=\/wp\/v2\/pages\/76"}],"collection":[{"href":"https:\/\/delajara.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/delajara.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/delajara.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/delajara.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=76"}],"version-history":[{"count":95,"href":"https:\/\/delajara.com\/index.php?rest_route=\/wp\/v2\/pages\/76\/revisions"}],"predecessor-version":[{"id":1275,"href":"https:\/\/delajara.com\/index.php?rest_route=\/wp\/v2\/pages\/76\/revisions\/1275"}],"wp:attachment":[{"href":"https:\/\/delajara.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}